About the song
“The Chair.” Released in 1985 as a single from his album Does Fort Worth Ever Cross Your Mind, this track was an instant classic and a massive hit, rocketing to number one on the Billboard Hot Country Singles chart. It’s far more than just a popular song; it’s a timeless testament to wit, serendipity (or the illusion of it), and the subtle art of making a connection, solidifying its place as one of Strait’s most beloved and enduring signature songs.
The lyrics of “The Chair,” penned by Hank Cochran and Dean Dillon, tell a delightful story of a man’s seemingly accidental encounter with a woman at a crowded bar. The genius of the song lies in its reveal: what appears to be a series of coincidences – him offering her a chair, then a light, then a dance, then a ride home – is, in fact, a carefully calculated and brilliantly executed strategy to get to know her. The narrator only reveals this masterful plan at the very end, turning the whole song on its head with a charming wink. Phrases like “Well, I just came over to ask you if you’re dancin’ / Or if you care to dance” and “And I said, ‘Excuse me, ma’am, I guess you know I’m a mess / But I was wondering if you’d let me walk you to your car'” perfectly capture this blend of genuine charm, subtle misdirection, and ultimately, a successful pursuit. The song speaks to the universal human experience of making a first impression, the excitement of new attraction, and the playful dance of courtship. It’s about the art of conversation, the allure of confidence, and the joy of a connection that starts with a simple gesture. It resonates deeply with anyone who appreciates clever storytelling and the thrill of a budding romance.
George Strait’s vocal performance on “The Chair” is nothing short of masterful and perfectly embodies the song’s charming and authentic spirit. His voice, with its iconic smooth baritone, its effortless phrasing, and its remarkable ability to convey both genuine sincerity and a playful slyness, delivers the lyrics with a palpable sense of warmth and understated confidence. He doesn’t just sing the words; he embodies the smooth operator, making the listener feel every nuance of his strategic moves, his growing interest, and the quiet satisfaction of his successful plan. There’s a perfect blend of his signature conversational delivery in the verses, almost like he’s recounting a fond memory, building to a warm, resonant, and ultimately triumphant affirmation in the chorus. Strait’s brilliance lies in his unparalleled ability to infuse such a clever narrative with raw, authentic feeling, connecting with audiences on a visceral, empathetic level through the sheer honesty and breathtaking control of his voice. It is a masterclass in conveying romantic wit with quiet confidence and undeniable charm.
The musical arrangement of “The Chair” is a pristine example of classic mid-1980s country music, meticulously crafted to serve the powerful lyrical narrative and George Strait’s definitive vocal. It typically features a gentle, melodic acoustic guitar that provides a warm, inviting foundation, complemented by the distinctive, flowing steel guitar that adds a layer of country soul and romantic warmth. A steady, unobtrusive rhythm section, with a relaxed drum beat and a melodic bassline, maintains a comfortable, swaying pace, allowing Strait’s smooth vocals and the poignant lyrics to remain front and center. The instrumentation is tasteful and precise, never overpowering the voice but instead providing a rich, supportive bed for his emotional delivery. There are no unnecessary flourishes; every note contributes to the song’s charming narrative and emotional appeal. The production is clean, warm, and remarkably clear, ensuring that every instrumental nuance and, crucially, George Strait’s incredible vocal are heard with pristine clarity, enhancing the song’s profound emotional impact and its undeniable authenticity. It’s an arrangement that feels both intimate and universally appealing, perfectly suited for a heartfelt tale of romantic ingenuity.
“The Chair” resonated profoundly with audiences because its universal themes of romantic pursuit, cleverness in love, and the simple joy of making a connection are deeply understood and intensely felt. It became one of George Strait’s most iconic and beloved hits, a true signature song that further cemented his legacy as “The King of Country Music” and a master interpreter of everyday romance. It remains a timeless classic, a powerful and exhilarating reminder that sometimes, all it takes is a clever approach and a simple chair to start something wonderful.
Video
Lyrics
Well, excuse me, but I think you’ve got my chair
No, that one’s not taken, I don’t mind if you sit here
I’ll be glad to share
Yeah, it’s usually packed here on Friday nights
Oh, if you don’t mind, could I talk you out of a light?
Well, thank you, could I drink you a buy?
Oh, listen to me, what I mean is, can I buy you a drink?
Anything you please
Oh, you’re welcome, well, I don’t think I caught your name
Are you waiting for someone to meet you here?
Well, that makes two of us, glad you came
No, I don’t know the name of the band
But they’re good, aren’t they?
Would you like to dance?
Yeah, I like this song too, it reminds me of you and me, baby
Do you think there’s a chance that later on I could drive you home?
No, I don’t mind at all
Oh, I like you too, and to tell you the truth
That wasn’t my chair after all
Oh, I like you too, and to tell you the truth
That wasn’t my chair after all
