About the song
“Lonesome, On’ry And Mean.” While penned by the brilliant Steve Young, it was Waylon Jennings’s scorching 1973 rendition, which served as the title track for his groundbreaking album of the same name, that etched this song permanently into the annals of music history. It quickly became an unofficial anthem for Waylon himself and the burgeoning Outlaw movement, a stark declaration of independence that resonated deeply with anyone tired of conformity. It’s far more than just a popular album cut; it’s a timeless testament to living life on one’s own terms, embracing the solitude and rugged individualism that comes with that choice, and delivering an uncompromising truth with every growl and guitar lick.
The lyrics of “Lonesome, On’ry And Mean” are a raw, unapologetic autobiography of a man who stands apart. The narrator isn’t asking for pity or understanding; he’s simply stating a fact about his nature. He’s a restless spirit, driven by an internal compass that keeps him moving, often alone, and always on his own terms. There’s a defiance in the very choice of words, an assertion that his “on’ry” disposition isn’t a flaw but a fundamental aspect of his being, a necessary shield in a world that might try to tame him. This song beautifully captures the dichotomy of the outlaw: independent and free, yet often solitary. Phrases like “Lonesome, On’ry And Mean / And boys, I’m bad to the bone” and “I’m a million miles from anywhere / And I ain’t got no place to go” perfectly capture this blend of rugged individualism, defiant self-acceptance, and the inherent loneliness that often accompanies true freedom. The song speaks to the universal human experience of wrestling with one’s identity, the desire for autonomy, and the profound peace (or perhaps, comfortable discomfort) found in embracing one’s true, sometimes abrasive, nature. It’s about the raw, visceral truth of living authentically, embracing one’s quirks and edges, and the powerful allure of a life lived without apology. It resonates deeply with anyone who has ever felt like an outsider or simply cherishes their freedom above all else.
Waylon Jennings’s vocal performance on “Lonesome, On’ry And Mean” is nothing short of iconic and perfectly embodies the song’s rebellious, unyielding spirit. His voice, with its distinctive outlaw growl, its effortless phrasing, and its remarkable ability to convey both weary resolve and unshakeable conviction, delivers the lyrics with a palpable sense of genuine defiance and raw power. He doesn’t just sing the words; he is the embodiment of the “lonesome, on’ry, and mean” character, making the listener feel every nuance of his independence, his self-acceptance, and the quiet pride he takes in his uncompromising path. There’s a perfect blend of his signature conversational delivery in the verses, almost like he’s laying down his personal law, building to a powerful, resonant, and utterly memorable affirmation in the chorus. Jennings’s brilliance lies in his unparalleled ability to infuse such a philosophical and personal narrative with raw, authentic feeling, connecting with audiences on a visceral, empathetic level through the sheer honesty and breathtaking control of his voice. It is a masterclass in conveying unyielding personal integrity with rugged confidence and undeniable charisma.
The musical arrangement of “Lonesome, On’ry And Mean” is a pristine example of quintessential early Outlaw Country, meticulously crafted to serve the powerful lyrical narrative and Waylon Jennings’s definitive vocal. It typically features a driving, prominent electric guitar riff that establishes a gritty, no-nonsense foundation, often complemented by a punchy, almost defiant bassline and a hard-hitting, unfussy drum beat that gives the song its undeniable swagger and relentless momentum. The instrumentation is robust and direct, prioritizing raw energy and Jennings’s powerful vocals over any Nashville polish. The occasional, well-placed harmonica or steel guitar lick adds classic country texture, but always within the driving, rock-oriented framework that defined his sound. The production is clean but raw, ensuring that every instrumental nuance and, crucially, Waylon Jennings’s incredible vocal are heard with pristine clarity, enhancing the song’s profound emotional impact and its undeniable authenticity. It’s an arrangement that feels both intimately confessional and universally defiant, perfectly suited for a heartfelt declaration of independence.
“Lonesome, On’ry And Mean” resonated profoundly with audiences because its universal themes of individuality, authenticity, and the courage to live life on one’s own terms are deeply understood and intensely felt. It became one of Waylon Jennings’s most iconic and beloved tracks, a true signature song that further cemented his legacy as a pioneer of the Outlaw movement and a timeless advocate for the soul of country music. It remains a timeless classic, a powerful and exhilarating reminder that sometimes, the most profound truth about a man is found in his willingness to be Lonesome, On’ry And Mean.
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Lyrics
On a Greyhound bus
Lord, I’m traveling this morning
I’m goin’ to Shreveport and down to New Orleans
Been travelin’ these highways
Been doin’ things my way
It’s been making me lonesome, on’ry and mean
Now her hair was jet black
And her name was Codene
She thought she was the queen of the Basin Street Queens
She got tired of that smokey-wine dream
Began to feel lonesome, on’ry and mean
We got together, and we cashed in our sweeps
Gave ’em to a beggar who was mumbling through the streets
There’s no escaping from his snowy white dreams
Born lookin’ lonesome, on’ry and mean
Now I’m down in this valley
Where the wheels turn so low
At dawn I pray to the Lord of my soul
I say do Lord, do right by me
You know I’m tired of being lonesome, on’ry and mean
