About the song
“The Chair.” Released in 1985 as the lead single from his album Does Fort Worth Ever Cross Your Mind, this song quickly became his sixth number one hit, solidifying his reign as “The King of Country.” It’s far more than just a simple love song; it’s a brilliant exercise in subtle seduction and playful wit, told through a masterfully understated narrative. It perfectly embodies the classic country storytelling that Strait has always championed, but with a unique, almost cinematic twist.
The lyrics of “The Chair” are a delightful example of clever songwriting, telling a story from the perspective of a man at a bar, trying to subtly strike up a conversation with a woman. Instead of a direct pickup line, he feigns needing her empty chair, using it as an opening to engage her. The genius lies in the dialogue that unfolds, where he progressively reveals his true intentions without ever being overtly forward. Phrases like “Can I buy you a drink, Miss, or would you just rather my money?” and the famous “And by the way, I love you” delivered almost as an afterthought, showcase his smooth charm and the song’s delightful narrative arc. It’s a beautifully crafted piece that captures the art of the subtle approach, making the listener privy to a charming, almost mischievous, romantic overture. The song is a testament to the power of indirect communication and the thrill of a connection that blossoms from an unexpected beginning.
George Strait’s vocal performance on “The Chair” is, as always, impeccable. His smooth, effortless baritone is perfectly suited to the song’s conversational style. He delivers the lyrics with a relaxed confidence and a knowing wink, conveying the narrator’s charm and playful intent without ever sounding arrogant. There’s a genuine warmth and sincerity in his voice that makes the subtle seduction feel utterly authentic and endearing. Strait’s strength has always been his ability to convey profound emotion and tell a story with a straightforward, unadorned delivery, and this song is a prime example. He makes it sound easy, which is a hallmark of true artistry.
The musical arrangement of “The Chair” is classic George Strait: a perfectly balanced blend of traditional country instrumentation with a smooth, accessible production. It features a gentle, swaying rhythm, prominent acoustic and electric guitar lines that underscore the melody, and the indispensable fiddle and steel guitar that provide those signature country textures. The arrangement is clean and uncluttered, allowing Strait’s pristine vocals and the clever lyrical narrative to take center stage. It’s the kind of arrangement that feels timeless, perfectly fitting for a song that tells a story as old as time, but in a uniquely charming way.
“The Chair” resonated deeply with audiences because its narrative was instantly relatable and its execution was simply flawless. It became one of George Strait’s most iconic and enduring hits, celebrated for its witty lyrics and his unparalleled delivery. It remains a beloved classic, a shining example of how a simple premise, when handled with charm and genuine artistry, can become a timeless piece of musical storytelling.
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Lyrics
Well, excuse me, but I think you’ve got my chair
No, that one’s not taken, I don’t mind if you sit here
I’ll be glad to share
Yeah, it’s usually packed here on Friday nights
Oh, if you don’t mind, could I talk you out of a light?
Well, thank you, could I drink you a buy?
Oh, listen to me, what I mean is, can I buy you a drink?
Anything you please
Oh, you’re welcome, well, I don’t think I caught your name
Are you waiting for someone to meet you here?
Well, that makes two of us, glad you came
No, I don’t know the name of the band
But they’re good, aren’t they?
Would you like to dance?
Yeah, I like this song too, it reminds me of you and me, baby
Do you think there’s a chance that later on I could drive you home?
No, I don’t mind at all
Oh, I like you too, and to tell you the truth
That wasn’t my chair after all
Oh, I like you too, and to tell you the truth
That wasn’t my chair after all
