About the song
“Outlaw Sh*t.” Released in 1993 on his album Ol’ Waylon Sings Ol’ Hank—a title that itself speaks volumes about his roots and reverence for country’s pioneers—this track wasn’t necessarily a chart-topper in his later career, but it quickly became a definitive statement for his loyal fanbase. It’s far more than just a song; it’s a timeless testament to his enduring rebellious spirit, his unwavering commitment to authenticity, and his refusal to be anything but himself, right up until the very end. This song is Waylon Jennings’s unapologetic thesis on what it means to be an outlaw.
The lyrics of “Outlaw Sh*t,” penned by Waylon Jennings and Roger Murrah, are a direct, no-holds-barred explanation of the philosophy that defined his life and career. It’s a frank admission of his unconventional path, his rejection of pretense, and his preference for raw honesty over polished falsehoods. The song revels in the kind of rough-and-tumble existence that valued freedom over conformity, genuine emotion over superficiality, and personal integrity above all else. It’s a look back at the choices he made, the roads he took, and the spirit that drove him, with a clear sense of self-acceptance and defiance. Phrases like “Some folks call it rock and roll, some folks call it just a sin / I call it Outlaw Sh*t, and that’s the shape I’m in” and “I don’t play no pretty music, just the kind that suits my soul” perfectly capture this blend of unapologetic self-awareness, rebellious pride, and a deep, ingrained commitment to his chosen way of life. The song speaks to the universal human experience of defining one’s own identity, the courage to stand apart, and the profound satisfaction that comes from living authentically, regardless of external judgment. It’s about the raw, visceral truth of a man comfortable in his own skin, embracing his imperfections, and living life on his own terms. It resonates deeply with anyone who understands the call of independence and the strength it takes to truly be yourself.
Waylon Jennings’s vocal performance on “Outlaw Sh*t” is nothing short of masterful and perfectly embodies the song’s defiant and authentic spirit. His voice, with its iconic outlaw growl now deepened by years of experience, its effortless phrasing, and its remarkable ability to convey both weary resolve and unshakeable conviction, delivers the lyrics with a palpable sense of genuine self-assurance and raw power. He doesn’t just sing the words; he is the embodiment of the outlaw, the maverick, making the listener feel every nuance of his independence, his unwavering commitment to his own code, and the quiet pride he takes in his uncompromising path. There’s a perfect blend of his signature conversational delivery in the verses, almost like he’s laying out his personal manifesto, building to a powerful, resonant, and utterly memorable affirmation in the chorus. Jennings’s brilliance lies in his unparalleled ability to infuse such a philosophical and personal narrative with raw, authentic feeling, connecting with audiences on a visceral, empathetic level through the sheer honesty and breathtaking control of his voice. It is a masterclass in conveying a lifetime of artistic integrity and personal freedom with rugged confidence and undeniable charisma.
The musical arrangement of “Outlaw Sh*t” is a pristine example of later-career Waylon Jennings’s sound, stripped down and gritty, meticulously crafted to serve the powerful lyrical narrative and his definitive vocal. It typically features a prominent, driving electric guitar riff that establishes a raw, no-nonsense foundation, often complemented by a punchy bassline and a steady, unfussy drum beat that gives the song its undeniable swagger. The instrumentation is direct and unadorned, prioritizing a bluesy, rock-tinged country sound over any Nashville polish. There are no unnecessary flourishes; every note contributes to the song’s unapologetic attitude and emotional weight. The production is clean but raw, ensuring that every instrumental nuance and, crucially, Waylon Jennings’s incredible vocal are heard with pristine clarity, enhancing the song’s profound emotional impact and its undeniable authenticity. It’s an arrangement that feels both intimate and universally defiant, perfectly suited for a heartfelt declaration of independence.
“Outlaw Sh*t” resonated profoundly with audiences because its universal themes of authenticity, personal freedom, and the courage to live on one’s own terms are deeply understood and intensely felt, especially when delivered by the man who defined the movement. It serves as a powerful and exhilarating reminder that sometimes, the most important truth you can embrace is simply being exactly who you are, without apology.
Video
Lyrics
I’m for law and order
The way that it should be
This song’s about the night they spent
Protecting you from me
Someone called us outlaws
In some old magazine
New York sent a posse down
Like I ain’t never seen
Don’t you think this outlaw shit
Has gotten out of hand?
What started out to be a joke
The law don’t understand
Was it singing through my nose
That got me busted by the man?
This ain’t it, this outlaw shit
Has gotten out of hand, out of hand
We were wrapped up in the music
That’s why we never saw
The cars pull up, the boys get out
And the room fill up with law
They came pounding through the back door
In the middle of my song
They got me for possession of something
That was long gone
Don’t you think this outlaw shit
Has gotten out of hand?
What started out to be a joke
The law don’t understand
Was it singing through my nose
That got me busted by the man?
This ain’t it, this outlaw shit
Has gotten out of hand, out of hand
